![]() ![]() They don't age, they don'g grow even after so many such interludes and one wonders if their legendary love blossomed in a matter of a week or so. When he watched the Tamil classic '16 Vayathinile', K Raghavendra Rao felt that the wait of the heroine for her man shouldn't have been open-ended. "Will he come back or not? Why leave the ending like that?" KRR asked himself. On similar lines, the director of 'Parichayam' might have thought that there should be no tragedy or uncertainty in the way the film ends - because we are Tollywood filmmakers, you know. ![]() So, the heroine falls out of a major problem almost easily and invariably glamorously (when she says she wants to eat Paav Baaji, it's time for a duet in the backdrop of some tourist location). The interval scene is a bang for the buck. Thanks to Simrat Kaur's excellent acting, the scene is touching. Prior to this, the love track is shown with largely engaging sensibilities. Lakshmi's face lights up every time she even hears Anand's name (once while she is consoling her friend over a death) and it's a treat to watch. Lakshmi and Anand behave as if they were born to be mesmerized in each other's presence. Once, Lakshmi even skips a puja and makes no bones about being serenaded by Anand.īut the second half's proceedings rob the film of whatever soul the first half has. ![]()
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